Lately, in 35mm and broken cameras
Recent. Aug '23
Recent
Bits of 2022
I am woman...
My next exhibition is the South London Women Artist show ‘I am woman, hear me roar’ in Peckham from 3rd to 6th of March. The show coincides with International Women’s Day and will take place at AMP gallery. The preview is 3rd March between 6pm-9pm.
2018 photography review
I’ve come to look forward to my annual year in review. I’m not much of a blogger but the odd scraps I write up here are getting a bit better. My website has had a little face-lift too with the addition of a ‘places’ section and a general tidy up.
Last year I wrote that I’d be scaling things back in 2018 which is funny now that I think about it. I’ve packed in more this year than I ever have before. I knew I had to focus on other things, but the universe didn’t really agree with those plans.
Some of the things I’ve been up to, in no particular order…
I exhibited six times. Four times with Shutter Hub (The Shutter Hub Open at 5&33 in Amsterdam and Truman Brewey in London, Because We Can at Festival Pil’ours in France and Girl Town Tel Aviv, at Alfred Gallery in Tel Aviv), a co-headline exhibition called Dino Island and The Lake with Nik Strangelove and at the British Museum Staff Art Show. I was also featured at FIX Photo Festival at Menier Gallery
I moved house and couldn’t stop photographing it
The super hard-working power house Karen Harvey of Shutter Hub asked me to curate an exhibition called Out of the Ordinary which is on until the end of January
I was 2nd in the judges vote for Women of the Year at FIX Photo Festival
I went to Italy to do a little photography work, and onto Zurich after that to photograph a party
Lomography gave me a Diana 120 to test
I pitched an idea to a magazine, they said yes, and it’ll be published in February 2019.
I’ve just finished working on something with Stylus Boy
I was fortunate to be on the long list of nomations for the Hundred Heroines
One of the non-photography projects I’ve worked on this year has been a pre-requisite for getting to the next stage of something really huge. I’ve gone back chronologically and written, in great detail, about every significant moment in my life and how it made me feel. Doing this kind of work would feel really self-indulgent if not for the fact that someone, in a very professional capacity, needed me to do it. This coincided with winning a place on a cross-boundary leadership programme. If that doesn’t sound like your cup of tea, I can assure you that I didn’t think it would be mine either. Both of these non-photography related things have been really magical in ways that I hadn’t expected. 2017 closed a few doors for me, but this year they swung back open again.
There are a couple of things in my notebook for 2019. Let’s see what happens.
These photographs are some of my favourites taken with Olympus Pen EE2, Canon AE-1 and Diana 120. Go here for 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009.
Three Exhibitions
Shutter Hub Open, part of Photomonth East London
It’s difficult to put into words how brilliant the Shutter Hub Open was to work on. 220 images from 150 photographers from all over the world - that’s many hours of organising, publicising, and hanging work - at the Truman Brewery off Brick Lane in London. It was also wonderful to meet so many great photographers and listen to the stories behind the photographs. My image was of Emma Watson on the London tube as she was #waitingforthecall. An exhausting but incredible week.
Out of the Ordinary, Bridewell Theatre
It was straight from Truman Brewery to Bridewell Theatre in the blink of an eye. Karen at Shutter Hub asked me to curate a Shutter Hub show, from concept to selection. I was grateful and thrilled to be asked. The selection process wasn’t easy, with photographers Christopher Bird, Phillipa Bloom, Matt Dever, Mieke Douglas, Anna Harrison, Pippa Healy, Simon Isaac, Ray Knox, Janet Lees, Anneleen Lindsay, Ioana Marinca, Lisa Mitchell, Natalie Paetzold, Clare Park, Ann Petruckevitch, Tina Reid, Barry Reid, Jo Stapleton, Marianne van Loo, Stephen Williams making the cut. The installation of the show went smoothly with a busy (Monday!) opening that evening.
Staff Art Show, British Museum
My next show is in gallery 5 of the British Museum. I cannot wait to see the selection and installation. Pictures to follow.
Notes
So much has happened in my life during the last six months. I've been more London based than ever, in part due to a big house move (I've inherited 28 roses bushes), but I managed to squeeze in a magical break in the Isle of Arran and quick jaunts to York and Southend. Arran was a truly picture perfect place, though I was blown over by the wind as I tried to descend a cliff side path on a mountain. Things like this always happen to me. Thankfully I put my camera away just before it happened.
For the last couple of years I've been taking pictures of my mum on her journey through vision loss. Last week her specialists admitted that 'she came to them too late'. Her mission to save some vision was thwarted by a blood clot the size of her entire lung - they said it massive, they meant it. I'm not quite ready to publish the pictures yet because I thought she'd have a happier ending, but I'll get there.
In contrast, I've come to the end of my own years-long-hanging-around-in-waiting-rooms which is like having a chain cut off my neck. When I look at the pictures I've been taking, I wonder if they're better because they have more depth to them but to be honest, I'm happiest taking pictures of a wet landscape and blooms on a blissful morning. It's not difficult to understand why when photography is your true escape.
Some good news... I'm exhibiting with Shutter Hub in a show called Because We Can at Festival Pil’ours, Saint Gilles Croix de Vie in France. That is going to be wonderful. Shutter Hub are wonderful.
Here's a few of the pictures I've taken..
2016 photography review
I had every intention to blog more in 2016. I prefer this space to wordpress even though very few venture here to read my words. That's OK. We're living in a world of likes and hearts and broadcasts via Twitter and Facebook these days.
I know it's been a difficult year for a lot of people, for countries, for the environment, for communities. The latter half of my own 2016 has been <insert very bad words>. I am not going to blog about that but I've found it incredibly easy to keep on taking photographs.
There is plenty that I haven't blogged about which has been really, really, really exciting and good and cathartic and creative. Plenty of excursions - sometimes with only a tent, a camera and a willing companion. Exhibitions in Cambridge and London (one of which is due to head to Tel Aviv next year thanks to the force for good which is Shutterhub and Karen Harvey). There have been photography shows and conversations I can't stop thinking about. I've collaborated with Margaret Clift McNulty on a small project that I want to share in the new year. Effra FC hosted its inaugural 'in conversation with..' event which was so inspiring. I'm looking forward to it being my turn in early 2017 where I'll be in conversation with David Viramati Sampson. I'm grateful for the support and warm words of so many people. Am I gushing? Maybe. These are darker days and it feels important to be grateful.
Here are my favourites (the ones I can share) from the year shot on film, digital and phone. This is the first year I seem to have swapped musicians for trees.
Go here for 2015, 2014, 2013, 2012, 2011, 2010, 2009.
Fast Forward: Women in Photography
Last week I took over the 'Fast Forward: Women In Photo' Instagram account with photographers Maria Baoli and Shelia Zhao. Fast Forward is designed to promote and engage with women in photography across the globe which is resolved at a Tate Modern conference.
We explored the theme of 'extraordinary ordinary'. My contributions to the week are here below in order of posting.
I took this photo in central London, on one of its busiest shopping streets, as I was waiting 30 minutes for someone.
This pinhole photograph of an ocean wave was taken last year.
I selected this photo by photographer Jo Underhill. Jo enjoys exploring and documenting the built environment with a focus on light, material, detail and how people interact with spaces.
This picture is taken from an unpublished series of photographs about an unremarkable looking neighbourhood of my childhood. My 2014 exploration of the physical spaces of childhood was a departure in style, but influenced a significant shift in my outlook towards the present. I now embrace a more mindful approach to photography. 'Letting go' has transcended beyond creativity into an empowering mechanism to cope with personal turmoil.
This wall was sprayed with bullets by the IRA during their terrorism campaign of the '80s. I passed this on my school route and the threat of terror was a daily reality. Seeing the patched up wall in 2014 had a profound impact on me.
I shot this in a fleeting moment during a ground level shot of a small pony in Wales. Its mother trotted into protective view as I took it. This, combined with an accidental double exposure, produced something magical. On this trip I'd witnessed distressing cruelty to horses and ponies suffering obvious signs of neglect. This moment was uplifting.
Lights from Piccadilly, London.